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Composition: Piano
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counterpoint
J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"
intasei
2:43 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 8 7 88%
Bass 27 2 9 8 94%
 
Invention in G minor
kaled.dabboussi.3
3:06 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 23 1 7 4 100%
Bass 20 0 7 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 23 1 7 4 100%
Bass 20 0 7 7 100%
 
Trio
Marc Sabatella
2:28 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 5 6 100%
Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 5 6 100%
Bass 21 0 6 4 100%
 
Two-Part Invention (reworked)
Aisido
2:50 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 2 6 6 100%
Bass 18 0 5 8 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 2 6 6 100%
Bass 18 0 5 8 98%
 
Baroque Variations in C Major
Vextrove
2:12 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bass		 Bass 35 20 12 2 100%
Piano,
MELODY		 Treble 29 42 12 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bass		 Bass 35 20 12 2 100%
Piano,
MELODY		 Treble 29 42 12 2 100%
 
Fugue on "Rock N Roll McDonald's" [HSCC #9]
Dun Ought 3 - The Prisoner of Azkaban
3:18 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 33 0 12 9 91%
Treble 30 0 11 9 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 33 0 12 9 91%
Treble 30 0 11 9 99%
 
Sarabande for Harpsichord (Opus 61)
schoutens
2:37 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 30 2 10 8 100%
Bass 27 11 9 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 30 2 10 8 100%
Bass 27 11 9 7 100%
 
Prelude and Fughetta
Templetown
2:53 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 11 9 9 99%
Bass 24 23 9 8 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 11 9 9 99%
Bass 24 23 9 8 84%
 
Fugue
Ayden Kael McDonald
3:16 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 1 7 6 95%
Bass 32 7 11 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 1 7 6 95%
Bass 32 7 11 7 93%